About the Authors
Frances Hodgson Burnett
was born in Manchester, England, in 1849 but migrated to Knoxville, Tenn.,
after the death of her father in 1865. Following the death of her mother
two years later, the 18-year-old Frances found herself the head of a family
of four younger siblings. She turned to writing to support them and saw her
first story published in 1868. Soon after, her work appeared regularly in
such magazines as Scribner's Monthly and Harper's Bazaar. Her
popularity can be attributed to the way in which she combined realistic
details of working-class life with romantic plots. Her first novel, That
Lass o' Lowrie's, a story of life in Lancashire, England, was published
in 1877. After moving with her husband Dr. Swan Burnett to Washington,
D.C., she wrote the novels Haworth's (1879), Louisiana (1880),
A Fair Barbarian (1881), and Through One Administration
(1883), as well as a play, Esmeralda (1881), written with William
Gillette.
In 1886, she published the
novel Little Lord Fauntleroy. Though originally intended for
children, it found a significant audience in mothers. It also created the
popular fashion of long curls (based on her son Vivian's) and velvet suits
with lace collars (based on the attire of Oscar Wilde). The book sold more
than half a million copies. And in 1888, she won a lawsuit in England over
its dramatic rights, establishing a precedent that was later incorporated
into British copyright law.
Burnett secured a divorce
from her husband in 1898 but remarried two years later, this time to Stephen
Townsend, her business manager. This second marriage would last less than
two years, ending in 1902.
Her later works include
Sara Crewe (1888) -- later rewritten as A Little Princess (1905);
The Lady of Quality (1896) -- considered one of the best of her
plays; and The Secret Garden (1909), the children's novel for which
she is probably best known today. A later work, The Lost Prince, was
published in 1915.
From the mid-1890s, Burnett
lived mainly in England, but in 1909 she moved back to the U.S., after
having become a citizen in 1905. After the death of her first son Lionel
from consumption in 1890, she delved into spiritualism to assuage her grief.
She also dabbled in Theosophy for a time, and worked some of its concepts
into The Secret Garden, in which the crippled boy Colin believes he
can heal himself through positive thinking and affirmations. During World
War I, she put her beliefs about what happens after death into writing with
her novella The White People.
Burnett died in Plandome, NY,
in 1924, and is buried in Roslyn Cemetery nearby, next to her son Vivian. A
statue of her son Lionel stands at their feet.
Lucy Simon (b. 1943)
is the daughter of Richard L. Simon, co-founder of the publishing house
Simon & Schuster. She started her music career at the age of 16, performing
with her equally well-known sister, Carly Simon. She recorded two albums
with Carly and received a Grammy award for her children’s album “The Simon
Sisters Sing the Lobster Quadrille and Other Songs for Children.” As Lucy
moved on from folk singing, she became drawn to musical theatre. She grew
up listening to opera and show tunes and started working on a musical
version of the Laura Ingalls Wilder novel A Little House on the Prairie.
However, she put it aside to work on an adaptation of the Frances Hodgson
Burnett children’s classic The Secret Garden, in collaboration with
book writer Marsha Norman. For this effort she received a Tony award
nomination for Best Original Score and a Drama Desk nomination for
Outstanding Music. She also contributed songs for the off-Broadway musical
A…My Name is Alice and recently composed the score for a new musical,
Zhivago, based on Boris Pasternak’s epic novel Dr Zhivago,
which premiered at the La Jolla Playhouse in 2006.
Marsha Norman (b.1947)
grew up in a Christian fundamentalist family in Louisville, Kentucky. As a
child she was not allowed to play with other children or watch television or
movies and this solitary childhood is sometimes credited with providing her
inspiration to become a writer. Norman was, however, allowed to read books,
play the piano, and visit the theatre, where she viewed productions by the
Actor's Theatre of Louisville. After graduating from college with a degree
in philosophy, she began working as a journalist for the Louisville Times.
On a suggestion from the director of the Actor's Theatre, she wrote her
first play, Getting Out, which concerned a young woman who had been
paroled after being imprisoned for kidnapping, robbery, and manslaughter.
The success of this early work brought Norman to New York City, where she
wrote and produced several new plays. Her first Broadway success came in
1983 with the Pulitzer Prize-winning play ‘night Mother, which dealt
heavily with the theme of suicide. Her first musical theatre venture was as
writer of the book and lyrics for 1991’s The Secret Garden, in
collaboration with composer Lucy Simon. For this effort, she won both the
Tony award and the Drama Desk award for best book of a musical and shared a
Tony nomination for Best Original Score with Simon. Other Broadway credits
include the short-lived musical The Red Shoes (book and lyrics by
Norman and music by Jule Styne) and her most recent project, the book for
the musical adaptation of Alice Walker’s The Color Purple (2005),
which is still playing on Broadway. Norman currently serves on the faculty
at Juilliard School in New York City.